Did you happen to play with Ray Finkle? He's... the only NFL player I've heard of.
I got a call while I was on the shoot and took it because I thought it might be the gig coordinator checking in. It was a "potential client" (I even end up doing air quotations when I say it out loud, because most of these people will NEVER be actual clients), and they needed someone for a feature film shoot. I told her I was a bit busy on a shoot, that didn't stop her!
"Yeah yeah, right, I get it, you're dedicated, moving on..."
She asked me a dozen questions about my background (all of which are answered in my resume) before telling me ANYTHING about the gig. She then said it started Monday, and paid $150 a day. For reference, today's shoot was somewhere around $300 for a half-day shoot, and a half-day shoot in the commercial world is a quarter-day shoot in the film world (average day on a film set being 12+ hours). I told her I wasn't so sure if I could do that for her, and asked how long the schedule was.
"It's a one month shoot, and a one month commitment."
I told her no, politely, but flat out. Who in the hell thinks they're going to get someone's entire July, a month full of hotdogs and things that you buy off the side of the road from a trailer and then set on fire, and also a freelance videographer's most productive time of the year, on three days notice for $150/day? No, thanks.
She told me they needed an editor, too, and I suggested I might still be available for that. She told me, "oh, we need someone who's going to be available all July to edit while we shoot, so it's done when we're done shooting... We have deadlines."
"I'm like the Rip Van Winkle of speedballs! Anyway, we're pretty pressed for time."
It's 9:45, and I just got another call. The "potential client" was very nice, but he wanted a HD shooter for... tomorrow morning. I told him I had rented my HD camera out for the weekend, and had an SD version available. That simply wouldn't do for him. I guess last-minute beggers CAN be choosers!